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''Electric Mud'' is the fifth studio album by Muddy Waters, with Rotary Connection serving as his backing band. Released in 1968, it imagines Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record experimental, psychedelic blues tracks with members of Rotary Connection in an attempt to revive the blues singer's career. The album peaked at #127 on the ''Billboard'' Pop Albums chart. It was controversial for its fusion of electric blues with psychedelic elements, but was influential on psychedelic rock bands of the era. ==Production== In 1967, Marshall Chess formed Cadet Concept Records as a subsidiary of Chess Records. The label's first release was the self-titled debut album of the psychedelic band Rotary Connection, whose members Chess described as "the hottest, most avant garde rock guys in Chicago". As a result of the album's success, Chess felt that he could revive the career of bluesmen Muddy Waters and Howlin' Wolf by recording two albums of experimental, psychedelic blues with members of Rotary Connection as the backing band for the singers, producing the albums ''Electric Mud'' and ''The Howlin' Wolf Album''. Chess hoped the new albums would sell well among fans of psychedelic rock bands influenced by Muddy Waters and Howlin' Wolf. According to Muddy Waters, "Quite naturally, I like a good-selling record. I was looking at it because I played for so many of these so-called hippies that I thought probably I could reach them."〔 In place of Muddy Waters' regular musicians were Gene Barge, Pete Cosey, Roland Faulkner, Morris Jennings, Louis Satterfield, Charles Stepney and Phil Upchurch. Cosey, Upchurch and Jennings joked about calling the group "The Electric Niggers".〔 Marshall Chess liked the suggestion, but Leonard Chess refused to allow the name.〔 The album incorporates use of wah-wah pedal and fuzzbox.〔 Marshall Chess augmented the rhythm of Muddy Waters' live band with the use of electric organ and saxophone.〔 Blues purists criticized the album's psychedelic sound.〔 According to Marshall Chess, "It was never an attempt to make Muddy Waters a psychedelic artist; it was a concept album like David Bowie being Ziggy Stardust."〔 Muddy Waters said of the album's sound, "That guitar sounds just like a cat — ''meow'' — and the drums have a loping, busy beat."〔 "I'm Your Hoochie Coochie Man" incorporates free jazz influences, with Gene Barge performing a concert harp.〔 Muddy Waters performs the vocals of "Let's Spend the Night Together", a cover of The Rolling Stones' 1967 single, in gospel-soul style.〔 According to Buddy Guy, "(Waters couldn't ) feel this psychedelic stuff at all...and if the feeling is gone, that's it. You can't get too busy behind a singer. You've got to let him sing it."〔 Muddy Waters' previous albums replicated the sound of his live performances.〔 Working with a studio band rather than his own was problematic for Muddy Waters, who could not perform material from the album live. He stated "What the hell do you have a record for if you can't play the first time it's out? I'm so sick of that...If you've got to have big amplifiers and wah-wahs and equipment to make you guitar say different things, well, hell, you can't play no blues."〔 The title of the album did not refer to the use of electric guitar, as Muddy Waters had played the instrument since he first signed to Chess Records. The use of the term "electric" is used in a psychedelic context.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Electric Mud」の詳細全文を読む スポンサード リンク
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